
First Nations Woven Baskets (Pearson Collection) at salishan Place by the River
The Collection
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Thunderbird or Eagle Basket |
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959.12.01 Inventory Number Object Name Basketmaker Design Description Thunderbirds, eagles, or birds, wings folded down, alternating red and black, two lines per bird outline; on length sides: two rows of four birds, one row above the other. On width sides: two rows of two birds, one above the other. Each bird head is looking in the opposite direction of the ones adjoining and beside them.LengthApproximately 12 inches or 30.28 cm WidthApproximately 6 inches or 15 cm HeightApproximately 12 inches or 30.28 cm Shape and UseGeneral storage; rectangular and deep, flared from bottom to top. Not an apparent "burden" or "berry basket," as it has no handles, handle holes, or tumpline attachments. Good condition; no apparent use or disuse. WeaveCoiled bundled; imbricated. MaterialsSplit cedar root; inner bark of the chokecherry, natural red and dyed Black. CultureN'laka'pamux, specifically North Bend. HistoryThis basket is not part of the Pearson Collection, it was examined in the first phase of this project because it appears in the James basket photos. It was donated on June 15, 1959, by Ms. Eileen H. Beaumont. The description provided by the donor was as follows: "This basket, about whose origin I know nothing, was used as an exhibit in a murder trial at Merritt over thirty years ago. When the office was moved a number of articles were burned and this was rescued by a bystander who recognized its value." John Haugen feels that this may have been the Sterling murder trial, but more research must be done to confirm this. In any case, this basket is definitely a James basket, as it is featured in all of the James basket photos of 1938. NotesThis basket was brought to my attention during my analysis of the Pearson Collection. It had been identified as one of the baskets in the James photos. There are five known James basket photos. John Haugen is the lands coordinator for Lytton First Nations; he also works with community elders in recording history; and has a special interest in Fraser Canyon basketry.
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| Beaded Necklace Basket |
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Inventory Number Object Name Basketmaker Design DescriptionLength39 cm Width64 cm Height37.5 cm Shape and UseBurden or "berry basket;" rectangular and deep; flared from bottom to top. One hide handle on each width-side near top. Good condition; no apparent use or disuse. WeaveCoiled bundled; imbricated MaterialsSplit cedar root; inner bark of the chokecherry, naturally red, dyed black; bear grass, sun-bleached white, deer hide. CultureN'laka'pamux, most likely North Bend or Lower Fraser Canyon. HistoryDonor: Mrs. Aida Freeman; collected by her mother Mrs. Kathleen Edith Pearson Southwell.
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| Laddered-Arrows Basket with Lid |
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Inventory Number Object Name Basketmaker Design Description Although this design has, for convenience, been termed laddered arrows, it is much harder to define because of the wing-like protuberances on the sides of the arrow shapes. If they are arrows, they are pointing down, while the wings would appear to face upward.Length- Width35 cm at handle Height26 cm Shape and UseRound and deep; nut shape with flat lid; small handle on basket; small knob handle on lid, both of basketry; good condition, no apparent use or disuse. WeaveCoiled bundled, imbricated. MaterialsSplit cedar root; inner bark of the chokecherry, naturally red, dyed black; bear grass (sun-bleached white). CultureN'laka'pamux, most likely North Bend or Lower Fraser Canyon HistoryDonor: Mrs. Aida Freeman; collected by her mother Mrs. Kathleen Edith Pearson Southwell.
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| Crosses-in-Diamonds Open Basket |
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Inventory Number Object Name Basketmaker Design Description A series of diamond outer shapes with crosses inside; three along each length side, and one on each end or width side. The colours alternate; a red cross inside a red diamond with white fill, then a black cross inside a black diamond, with white fill.Length31 cm Width52 cm Height17.5 cm Shape and UseMost likely a "carrying" or "shopping basket." Rectangular and relatively shallow with four small handle holes, one near each corner positioned on the length sides. Too shallow for a tumpline, it was likely designed to be carried by hand with longer handles, similar to a purse. Good condition; no apparent use or disuse. WeaveCoiled bundled; imbricated; bottom is made of slats. MaterialsSplit cedar root; inner bark of the chokecherry, naturally red, dyed black; bear grass, sun-bleached white. CultureN'laka'pamux or its immediate influence, most likely Lower Fraser Canyon but possibly, because of the larger weave and the use of cedar slats, as far south as the mouth of the Fraser River. See note below. HistoryDonor: Mrs. Aida Freeman; collected by her mother Mrs. Kathleen Edith Pearson Southwell. NotesThis could include any of the following aboriginal peoples of the Lower Fraser River, such as the Tait (Yale), Musqueam, Tsawwassen, Kwantlen, Katzie, or any of the Chilliwack groups known collectively as the Sto:lo Nation. Many of these peoples are thought to have been influenced by the N'laka’pamux weavers.
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| Laddered-Arrows Basket |
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Inventory Number Object Name Basketmaker Design Description Series of arrows in ladders, superimposed by a white line. Each arrow in the series alternates between black and red. Each ladder points in the opposite direction (up and down) of the ones next to it. There are four ladders on each length side, and one on each end or width side. One corner has a series of three diamonds, which may be a signature, since none of the other three corners have this feature. The diamonds dangle from the top edge; the interiors are white, while the outlines alternate red and black.Length23 cm Width33 cm Height16 cm Shape and UseStorage; rectangular and deep;, flared from bottom to top. Good condition; no apparent use or disuse. WeaveCoiled bundled; imbricated. MaterialsSplit cedar root; inner bark of the chokecherry, naturally red, dyed black; bear grass, sun-bleached white. CultureN'laka'pamux, most likely North Bend or Lower Fraser Canyon HistoryDonor: Mrs. Aida Freeman; collected by her mother Mrs. Kathleen Edith Pearson Southwell.
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| Wings Bowl Basket |
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Inventory Number Object Name Basketmaker Design Description Series of winged figures; each figure has red on top and black on bottom; basket has eight rows of three descending figures each; lid has seven figures dispersed around the outer edges, with wings facing opposite direction of basket figures. All rows are evenly positioned around the circumference of the basket.Length- Width26 cm Height17 cm Shape and UseRound and deep; nut shape with flat lid; missing a handle; good condition; no apparent use or disuse. WeaveCoiled bundled, imbricated; two coils are slightly raised and show bundles inside; showing between 5-8 strips. MaterialsCedar root; inner bark of the chokecherry, naturally red, dyed black. CultureN'laka'pamux, most likely North Bend or Lower Fraser Canyon. HistoryDonor: Mrs. Aida Freeman; collected by her mother Mrs. Kathleen Edith Pearson Southwell.
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| Checkered Circles Basket |
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Inventory Number Object Name Basketmaker Design Description Circles or rounded diamonds, checkered red and blackLength- Width18.5 cm at top
Height8.5 cm Shape and UseRound and relatively shallow bowl; good condition, no apparent use or disuse WeaveCoiled bundled; imbricated MaterialsSplit cedar root; inner bark of the chokecherry, naturally red but dyed black CultureN'laka'pamux, most likely North Bend or Lower Fraser Canyon HistoryDonor: Mrs. Aida Freeman; collected by her mother Mrs. Kathleen Edith Pearson Southwell.
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| Diagonal Lines Basket |
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Inventory Number Object Name Basketmaker Design Description Bowl has diagonal lines from bottom to top, each consisting of one strip of red, white and black; foot has coils with black beads alternating with plain.Length- Width19 cm Height8.75 cm Shape and UseSmall bowl with two-coil foot, and handles of one coil; good condition, no apparent use or disuse WeaveCoiled bundled; imbricated. Foot is imbricated two coils. MaterialsSplit Cedar Root; Inner Bark of the Chokecherry - Natural Red, Treated Dyed Black. Bear Grass, sun-bleached white CultureN'laka'pamux, most likely Boston Bar if by Emma Florence; or North Bend or Lower Fraser Canyon. HistoryDonor: Mrs. Aida Freeman; collected by her mother Mrs. Kathleen Edith Pearson Southwell.
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| Beaded Circle Tray |
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Inventory Number Object Name Basketmaker Design Description Outer circle consists of three solid rings: red, then black, then red; inner circle has three rings consisting of the same colours, but these are beaded, not solid; imbrication alternates as one imbrication, one bare, and so on; bottom is plain; black beaded imbrication around outside of rim.Length- Width19 cm Height7 cm Shape and Use"Serving tray" with two handles on opposite sides. Tray is semi-deep with a rounded bottom; handles are two coils thick; good condition; no apparent use or disuse. WeaveCoiled bundled; imbricated MaterialsSplit cedar root; inner bark of the chokecherry (naturally red, dyed black). CultureN'laka'pamux, most likely North Bend or Lower Fraser Canyon HistoryDonor: Mrs. Aida Freeman; Collected by her mother Mrs. Kathleen Edith Pearson Southwell.
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| Diamond Tray with Looping |
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Inventory Number Object Name Basketmaker Design Description Thick cross with squares in the middle; cross is quartered, split between black and red, with a small black square in the middle surrounded by a larger white square. each side of the basket has one cross design per side.Length- Width36 cm Height9 cm Shape and UseTray/bowl is diamond-shaped and semi-shallow with a flat bottom; entire top edge has looping; good condition; no apparent use or disuse. WeaveCoiled bundled; imbricated; bottom is made of cedar slats. MaterialsSplit cedar root; inner bark of the chokecherry (naturally red, but dyed black; bear grass, (sun-bleached white). CultureN'laka'pamux, most likely North Bend or Lower Fraser Canyon; or because of slat bottom, possibly N'laka'pamux influence on the lower Fraser River peoples. HistoryDonor: Mrs. Aida Freeman; collected by her mother Mrs. Kathleen Edith Pearson Southwell.
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| Trees Tray |
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Inventory Number Object Name Basketmaker Design Description Tray has sets of trees, two per line, with treetops pointing in towards the centre of the tray. Trees alternate in colour between red and white, and black and white. Each tree line faces one of an opposite colour. Four lines of trees run along each length side of the basket, while one line of trees runs along each width side. Each corner of the tray has one tree, not two; plain bottom.Length34.5 cm Width49 cm Height4.44 cm Shape and UseOblong shallow tray with flattened rim; flat bottom; no handles; good condition; no apparent use or disuse. WeaveCoiled bundled; imbricated MaterialsSplit cedar root; inner bark of the chokecherry, naturally red, but dyed black; bear grass (sun-bleached white). CultureN'laka'pamux, most likely North Bend or Lower Fraser Canyon HistoryDonor: Mrs. Aida Freeman; collected by her mother Mrs. Kathleen Edith Pearson Southwell.
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| Wave Bowl with Handles |
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Inventory Number Object Name Basketmaker Design Description Small bowl has design similar to succeeding waves, or else a series of head shapes in a marching formation. Waves or heads face left, and are outlined with one top line of solid black, shadowed with one bottom line of solid red; eight stars on the inside bottom, alternating black & red, with white centres.Length- Width27 cm Height24 cm Shape and Use"Carrying" or "storage" basket; semi-deep bowl with a high-arching stiff handle, which splits off near the bowl's rim; good condition; no apparent use or disuse. WeaveCoiled bundled; imbricated; braided weave on top rim. MaterialsSplit cedar root; inner bark of the chokecherry (naturally red, dyed black). CultureN'laka'pamux, most likely North Bend or Lower Fraser Canyon. HistoryDonor: Mrs. Aida Freeman; Collected by her mother Mrs. Kathleen Edith Pearson Southwell.
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| Market or Shopping Basket with Handles |
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Inventory Number Object Name Basketmaker Design Description Horizontal lines of various coloursLength12.5 cm Width39 cm Height24 cm Shape and Use"Shopping basket" with macramé-type woven handles. According to Mrs. Freeman, she is the one who added the woven handles. Good condition; no apparent use or disuse. WeaveCedar slat base, coiled over with cedar root strips; base (bottom half) composed of solidly woven cedar slats; upper half of basket is a semi-open weave of cedar slats coiled over with cedar root; and an open weave of cedar strips between the slats; rim is bundled coils of cedar root; using two separate methods; rim itself uses three coils of bundled cedar root, while a W-shaped, coiled open weave is used up most of the basket; handles are short and heavy, of a macramé-type of weave, using some type of tan cotton string or bleached hemp, fibre, or possibly wool. MaterialsSplit cedar root; split cedar slats; dyed grasses; fibre cord (possibly hemp, wool, or other fibres). CulturePossibly N'laka'pamux, but most likely Coast Salish, using coiling techniques learned from the N'laka'pamux. HistoryUsed by Mrs. Freemanin for shopping in Vancouver . Donor: Mrs. Aida Freeman; collected by her mother Mrs. Kathleen Edith Pearson Southwell.
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| Zig-Zag Bowl |
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Inventory Number Object Name Basketmaker Design Description Appears to be of Chilcotin or Lillooet design; a thin bowl with zig-zag motifs woven in; rim has pairs of square designs along it below the edge; colours used are: white and lavender for the rim squares, and combinations of white and aqua, black and pale yellow, and red and green for the zig-zags.Length- Width23.5 cm Height15.5 cm Shape and UseMedium-sized bowl. WeaveThinner weave; imbricated. MaterialsRoot or thick grass; dyed grasses. CultureChilcotin or Lillooet. HistoryDonor: Mrs. Aida Freeman; collected by her mother Mrs. Kathleen Edith Pearson Southwell.
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| Three-Flower Spray Basket |
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Inventory Number Object Name Basketmaker Design Description Basket has three distinct James-style flowers. The top two are joined by tendrils to the bottom one. Each flower has eight petals, or four double petals. Each double petal has one tendril leading from its centremost point, plus each outermost (to the basket) has one tendril leading out from it. The top left flower is red and white, with five tendrils extending from it. Each tendril contains a white spot inside the bud point; all tendrils are red except the bottom tendril furthest left, which is black.The top right flower is black and white with five tendrils extending from it. Each tendril contains a white spoit inside its bud point; all tendrils are black except the middle tendril on the bottom which is red. Each of the top two flowers has a bottom tendril which connects to a black and white flower with no tendrils at the bottom of the basket. Each end of basket has two red and white flowers, one above the other; each bottom flower has two tendrils, one black (right), and one red (left). Tendrils at the ends of the basket have no white spoit inside their bud points. Length35 cm Width50.5 cm Height32.5 cm Shape and UseGeneral storage; rectangular and deep; flared from bottom to top; does not appear to a "burden" or "berry basket," as it has no handles, handle holes, or tumpline attachments. WeaveCoiled bundled; imbricated. MaterialsSplit cedar root; inner bark of the chokecherry, (naturally red; dyed black); bear grass (sun-bleached white). CultureN'laka'pamux, North Bend. HistoryDonor: Mrs. Aida Freeman; collected by her mother Mrs. Kathleen Edith Pearson Southwell. Notes:This is the basket which began the whole chain of events that led to this project. It is the one that former curator Lisa Codd first spotted in the Mary Ann James photo in 2004.
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| Shopping Basket with Handles |
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Inventory Number Object Name Basketmaker Design DescriptionSeries of horizontal lines. Length11 cm Width31 cm Height18 cm Shape and Use"Shopping basket" with woven handles; rectangular and deep; handle is braided grass or cedar bark. WeaveTwined weave. MaterialsRoot or thick grass, dyed grasses, possible (cedar or other) bark and dyed bark; inner bark of cedar. CultureUnknown, probably Chilcotin, Lillooet or West Coast. HistoryDonor: Mrs. Aida Freeman; Collected by her mother Mrs. Kathleen Edith Pearson Southwell.
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| Thunderbird Bowl |
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Inventory Number Object Name Basketmaker Design Description Birds or thunderbirds or perhaps loons; series of simply wrought yet striking bird designs. Each bird consists of a black outline, with triangular wings, pointed downward; black shoulder line extends outwards from the black head horizontally, then black outline of wings extends downward at a right angle vertically; inner outlines of wings then become red, rising diagonally to meet beneath head under horizontal shoulder line; inner fill of wings is white. There are six sets of birds, one above the other, for a total of twelve birds.Length- Width19 cm Height12 cm Shape and UseBowl with foot. WeaveCoiled bundled, imbricated; foot consists of two coils. MaterialsSplit cedar root; inner bark of the chokecherry (naturally red, dyed black); bear grass (sun-bleached white). CultureN'laka'pamux, most likely North Bend or Lower Fraser Canyon. HistoryDonor: Mrs. Aida Freeman; collected by her mother Mrs. Kathleen Edith Pearson Southwell.
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| Sunburst Tray with Handles |
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Inventory Number Object Name Basketmaker Design Description Tray inside bottom design begins from centre, with a circle of black, outlined with a circle of red; design then radiates outward like a sunburst, as a series of W’s but with curved lines instead of straight lines; inner ray has three outlines that radiate as black, then red, then black. nine points on inside burst, seventeen on outside; outer sunburst is the same, radiating as black, red, and black; inner and outer rims of tray have a series of diamond shapes of red and black; top edge of rim is imbricated in red; plain outside and bottom.Length38 cm Width46.5 cm Height7.5 cm Shape and Use"Serving tray" with handles; flat bottom; circular shape. WeaveCoiled bundled, imbricated. MaterialsSplit cedar root; inner bark of the chokecherry (naturally red, dyed black). CultureN'laka'pamux, most likely North Bend or Lower Fraser Canyon. HistoryDonor: Mrs. Aida Freeman; collected by her mother Mrs. Kathleen Edith Pearson Southwell.
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| Arrow Tray with Handles |
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Inventory Number Object Name Basketmaker Design Description Tray inside bottom design begins from centre, with a circle of red; seventh and eighth coils from centre are imbricated in alternating spaces. Tray has arrow shapes with flat bases, or very simplified tree shapes with flat bases. Each arrow alternates between black and red, pointing inward towards centre, with a fill of white inside each arrow. There are ten arrows in the inner circle, and ten in the outer circle, all pointing in; inner and outer rim are imbricated with chevron shapes, some of black and white, some of red and white; no imbrication on rim or handles of basket; plain outside.Length- Width39 cm Height6.5 cm Shape and Use"Serving Tray" with handles; flat bottom. WeaveCoiled bundled, imbricated; some type of a braided stitch on rim; handles made by raising top two coils; large coils on basket. MaterialsSplit cedar root; inner bark of the chokecherry (naturally red, dyed black; bear grass (sun-bleached white). CultureN'laka'pamux, most likely North Bend or Lower Fraser Canyon. HistoryDonor: Mrs. Aida Freeman; collected by her mother Mrs. Kathleen Edith Pearson Southwell.
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| Heart-shaped Arrow Bowl |
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Inventory Number Object Name Basketmaker Design Description Arrows: eight around the top, seven around the middle, eight around the bottom. Design is simple, made of three lines each, with each arrow alternating from black to red; point of heart has one red arrow at its edge, then three sets along each long side, alternating black and red. Each set is one above the other, resulting in five or six arrows per side of the heart.Length24 cm Width23 cm Height11.5 cm Shape and UseArrow-shaped bowl with looping along edges; rounded bottom; has string hanging from top centre of heart at rim (for hanging? pouring?). WeaveCoiled bundled; imbricated. MaterialsSplit cedar root; inner bark of the chokecherry (naturally red, dyed black). CultureN'laka'pamux, most likely North Bend or Lower Fraser Canyon. HistoryDonor: Mrs. Aida Freeman; collected by her mother Mrs. Kathleen Edith Pearson Southwell.
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| Arrowhead Trivet |
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Design Description Arrowheads pointing outwards, radiating from the centre of trivet; arrows alternate in red and black; six in total.Length- Width16.2 cm Height1 cm Shape and UseTrivet, used as a coaster or hot pot mat. WeaveCoiled bundled; imbricated. MaterialsSplit cedar root; inner bark of the chokecherry (naturally red, dyed black). CultureN'laka'pamux from Spuzzum, and later Yale. HistoryDonor: Mrs. Aida Freeman; collected by her mother Mrs. Kathleen Edith Pearson Southwell.
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| Arrowhead Tray with Looping and Handles |
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Inventory Number Object Name Basketmaker Design Description Three concentric circles of arrowheads pointing outward from the center of the basket; inner circle is composed of four black arrowheads; a second ring of ten red arrowheads encircle these, and are themselves encircled by a final ring of eighteen black arrowheads; outside perimeter of the tray also has twenty-two arrowheads, alternating red and black.Length- Width49.5 cm Height6.5 cm Shape and Use"Serving tray" with handles, and looping around top edge; flat bottomed; circular in shape. WeaveCoiled bundled;, imbricated. MaterialsSplit cedar root: inner bark of the chokecherry (naturally red, dyed black). CultureN'laka'pamux, most likely North Bend or Lower Fraser Canyon. HistoryDonor - Mrs. Aida Freeman; Collected by her mother Mrs. Kathleen Edith Pearson Southwell. See Freeman-Southwell-Pearson history note at top and bottom. Notes:Outer arrows need to be counted.
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| Zig-Zag and Diamond Jar with Handles |
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Inventory Number Object Name Basketmaker Design Description Large red zig-zags along top and bottom edges, with four red diamonds circling the middle-section of the basket; two front and back, and one each between the two handles.Length- Width30 cm Height27 cm Shape and UseVase-shaped jar, conical or flared outward from bottom to top; probably used for storage; handles are large and curved, attached from near top to two thirds of way toward bottom; one on each side. WeaveCoiled bundled, and coiled over cedar slats; imbricated; bottom made of cedar slats. MaterialsSplit cedar root; cedar slats; inner bark of the chokecherry (naturally red, dyed black). CulturePossibly N'laka'pamux, but most likely Coast Salish (downriver Fraser tribes), possibly using techniques learned from the upriver N'laka'pamux. HistoryDonor: Mrs. Aida Freeman; collected by her mother Mrs. Kathleen Edith Pearson Southwell.
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| Guichon Design Box with Foot, Lid and Handles |
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Inventory Number Object Name Basketmaker Design Description Main design: Referred to as a "Guichon" design due to Teit’s Coiled Basketry of British Columbia and Surrounding Region (1); Guichon is composed of an intricate interlocking geometric design; base is a square standing on its bottom point; overlaid by a square standing on its flat base. Both are overlaid by an interlocking weave design, somewhat similar to the knotted weave on a Celtic Cross; colours are red, white and black. The outer base square is checkered in the way that some of the chevrons on other baskets are made; each corner begins with a black tip and outline, followed with white, and then red. The inner square is made of bands of three colours; the first band is outlined in black, with a centre band of white and an inner band of red. The interlocking weave is composed of four ribbons, each of which has black on the outer edge, white in the middle and red on the inside.Outer edges and lid designs: Bottom of the basket on top of the foot has a beaded design composed of alternating colours (red, white, black, white, red, white, etc.); top edge of the basket below the rim has a zig-zag design composed of three bands of different colours: red on the bottom, white in the middle and black on top. The lid of basket has a similar zig-zag design composed of two lines (which are slightly curved rather than straight), one inside the other, radiating outward from the centre; outer rim has a double-beaded design similar to the foot, except that each bead is offset by one space to the one of the same colour adjoining it. Length34 cm Width34.5 cm Height23.5 cm Shape and UseSquare box shape, medium depth; flat lid with a small handle in the centre; basket was likely used for storage or carrying light objects (similar to a picnic basket). WeaveCoiled bundled; imbricated. Handles are made of bundled coils. MaterialsSplit cedar root; inner bark of the chokecherry (naturally red, dyed black); bear grass (sun-bleached white); deer hide top and small handles are coiled—could be the same for large handles, which are attached with hide. CultureN'laka'pamux, possibly from the Merritt/Nicola area HistoryDonor: Mrs. Aida Freeman; collected by her mother, Mrs. Kathleen Edith Pearson Southwell. Notes:Boas, Franz, ed., Haeberlin, H.K., Teit, James, Roberts, Helen. "Coiled Basketry in British Columbia and Surrounding Region." Forty-first Annual Report of the Bureau of American Ethnology, 1919-1924, Washington, DC 1928, pp. 119-484.
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| Open Weave Bowl with Stars |
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Inventory Number Object Name Basketmaker Design Description Series of occasional small stars or crosses; stars composed of alternating colours: either a red centre with black rays or a black centre and red rays; plain inside.Length27 cm Width27 cm Height24.5 cm Shape and UseBowl shape with an open weave; composed of an alternating pattern of four straight coils which connect to a single row of W-shaped coils; bowl has a curved bottom. WeaveCoiled bundled; imbricated. MaterialsSplit cedar root; inner bark of the chokecherry (naturally red, dyed black). CultureN'laka'pamux, most likely North Bend or Lower Fraser Canyon. HistoryDonor: Mrs. Aida Freeman; collected by her mother, Mrs. Kathleen Edith Pearson Southwell. Notes:See detailed conservation treatment on this artefact
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| Connecting Diamonds Jar with Lid and Handles |
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Inventory Number Object Name Basketmaker Design Description Very large connecting diamonds, one row of full diamonds above and one of diamond halves below, all around the basket. Diamonds are joined at each point including the top with the bottom. Diamonds are composed of three lines; red in the centre, surrounded on either side by black outlines.Length27 cm Width27 cm Height35.5 cm Shape and UseThis would normally be referred to as a "nut shape"; its large size is reminiscent of an ancient storage jar, and certainly this was its purpose. Indeed, with its tight weave it would have been capable of storing water, though there is no evidence that it was used for this purpose; lid is fitted, having a deep inner lip for a secure closure; lid handle is a rounded knob of coiled cedar root in centre; handles are of sturdy hide, but are not attached in a manner which would support heavy loads. WeaveCoiled bundled; imbricated. MaterialsSplit cedar root; inner bark of the chokecherry (naturally red, dyed black); cured hide (probably deer hide). CultureN'laka'pamux, most likely North Bend or Lower Fraser Canyon. HistoryDonor: Mrs. Aida Freeman; collected by her mother, Mrs. Kathleen Edith Pearson Southwell. Notes:Bottom is coiled.
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| Small Bowl with Foot and Stars Design |
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Inventory Number Object Name Basketmaker Design Description
Length- Width8.5 cm Height5 cm Shape and UseSmall bowl with foot; foot is one coil; basket itself is composed of eight coils; very likely used for snacks like nuts or candy. WeaveCoiled bundled; imbricated. MaterialsSplit cedar root; inner bark of the chokecherry (naturally red, dyed black). CultureN'laka'pamux, most likely North Bend or Lower Fraser Canyon. HistoryDonor: Mrs. Aida Freeman; collected by her mother, Mrs. Kathleen Edith Pearson Southwell.
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| Whale Bowl with Lid |
Catalogue Number Inventory Number Object Name Basketmaker Design Description What appears to be two whales is shown on the outside and the inside of the basket; one is green and one is red. Both whales are split apart by a jagged line, almost like a thunderbolt. The line is just blank space; no imbrication. There are two whales on each side of the basket. The lid has a crescent-shaped line around the centre on one side of it, and two star-shapes opposite the crescent.Length- Width9.3 cm Height6.2 cm Shape and UseThis is a very small bowl, and we are not familiar with its use on the West Coast of British Columbia. It was likely used to store small treasures or tidbits. It has a lid that is fitted with sides to cover the outside lip. WeaveWest Coast weaving; bottom square weave. MaterialsNatural grass; dyed grasses CultureWest Coast. HistoryDonor: Mrs. Aida Freeman; collected by her mother Mrs. Kathleen Edith Pearson Southwell. Notes:Likely a gift brought to Mrs. Southwell from a travelling friend who knew of her basket collection. However, she may have travelled there herself and brought it back home with her. See detailed conservation treatment report on this artefact.
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| Zig-Zag Storage Basket with Foot, Fitted Lid and Handles |
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Inventory Number Object Name Basketmaker Design Description Zig-zag design compose of five lines of colour; white on the inside, surrounded on both sides by two lines of red; the red is then surrounded on both sides by two lines of black; lid has a similar zig-zag pattern, but lines are curved instead of straight; pattern follows the outline of the lid.Length27 cm Width45 cm Height29 cm Shape and UseRectangular basket has a foot composed of two coils with no imbrication; basket is wide at the top, tapering towards the base to create a very stylized bow-shape, not usually seen in most N'laka'pamux baskets; lid has a bundled coiled handle attached at two points near the centre; inside lid has a lip which appears to be a cedar slat, coiled over to make a tight fit for the lid. WeaveCoiled bundled; imbricated; foot is two coils. MaterialsCedar root; inner bark of the chokecherry (naturally red, dyed black); bear grass, (sunbleached white). CultureN'laka'pamux, possibly North Bend or Lower Fraser Canyon. HistoryDonor: Mrs. Aida Freeman; collected by her mother, Mrs. Kathleen Edith Pearson Southwell.
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| Square Slat Tray with Handles and Diamond Design |
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Inventory Number Object Name Basketmaker Design Description
There are four large diamonds; two black on the long sides and two red on the short sides. Each diamond is outlined with a base-colour of either red or black, and an inside pattern composed of the same colour. The interior of the inner patter is composed of white. The unusual coiled slats in the centre of the tray are surrounded by a red beaded outline. Length37 cm Width46 cm Height6.5 cm Shape and UseOval serving tray with handles on the long ends, flat bottomed. This tray is very unusual as it uses a rectangular centre of coiled slats, surrounded by bundled coils. The outside is also made of cedar slats. WeaveCoiled bundled; coiled slats; imbricated. The basket is tightly woven, and the weave is smooth and fine. This basket is made of a combination of techniques, both of coiled bundles and of coiled cedar slats; centre of tray is made of seven coiled slats surrounded by twelve coils of bundles. One row of cedar slats make up the outside of the tray; top of rim and handles are coiled bundles; outer sides have wide imbrications, red on sides, black on length, opposites of designs. MaterialsSplit cedar root; cedar slats; inner bark of the chokecherry (naturally red, dyed black); bear grass, (sun-bleached white). CulturePossibly N'laka'pamux; or downriver Salish with N'laka'pamux influence. HistoryDonor: Mrs. Aida Freeman; Collected by her mother, Mrs. Kathleen Edith Pearson Southwell.
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| Multi-Coloured Diamond Bowl |
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Inventory Number Object Name Basketmaker Design Description Multi-coloured large diamonds of red, black and white; four in number, spaced evenly around bowl; diamonds stretch from top to bottom of bowl; centres are white, surrounded by red, and outwardly by black, with white interspersed between sections of black and red.Length- Width21 cm Height15.5 cm Shape and UseA tall, deep bowl with a flat bottom and slightly rounded bottom edges; bowl comes in slightly at the top, not enough to classify as a "nut shape," but tall enough to verge on the edge between nut and bowl shape; no lid. WeaveCoiled bundled; imbricated. MaterialsSplit cedar root; inner bark of the chokecherry (naturally red, dyed black); bear grass, (sun-bleached white). CultureN'laka'pamux, most likely North Bend or Lower Fraser Canyon. HistoryDonor: Mrs. Aida Freeman; Collected by her mother, Mrs. Kathleen Edith Pearson Southwell.
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| Diagonal Double Steps Storage Basket with Foot |
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Inventory Number Object Name Basketmaker Design Description
Length57.5 cm Width63 cm Height51.5 cm Shape and UseRectangular storage; inside slatted lip missing a fitted lid. Likely the lid would have carried on the design of the basket; foot is also made of slats. WeaveCoiled bundled; imbricated. MaterialsSplit cedar root; inner bark of the chokecherry (naturally red, dyed black); bear grass, (sun-bleached white). CultureN'laka'pamux, possibly North Bend or Lower Fraser Canyon. HistoryDonor: Mrs. Aida Freeman; collected by her mother, Mrs. Kathleen Edith Pearson Southwell.
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| Large Storage Basket with Necklace Design |
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Inventory Number Object Name Basketmaker Design Description Horizontal necklace design. Each necklace consists of three rows; first set at the top is black in the middle stripe, with one each of red above and below; then it alternates with red in the middle and black outside. There are eight such sets of three from the top to the bottom, continuing around the whole of the basket. Each imbricated stripe is beaded, meaning it alternates from one imbricated stitch, to one plain unimbricated, to the next imbricated in the same colour. The imbrications also alternate with the others in adjoining rows.Length29 cm Width44.5 cm Height27 cm Shape and UseVery tall, very deep rectangular "storage basket"; flared from bottom to top; extremely large—perhaps one of the largest seen by this researcher; most certainly used for storage; donor communicated that it was used at times as her playpen when she was a small child. WeaveMore than two feet high MaterialsSplit cedar root; inner bark of the chokecherry (naturally red, dyed black). CultureN'laka'pamux, most likely North Bend or Lower Fraser Canyon. HistoryThis is the basket that Mrs. Freeman remembers as her childhood playpen. Donor: Mrs. Aida Freeman; collected by her mother Mrs. Kathleen Edith Pearson Southwell.
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Thunderbirds, eagles, or birds, wings folded down, alternating red and black, two lines per bird outline; on length sides: two rows of four birds, one row above the other. On width sides: two rows of two birds, one above the other. Each bird head is looking in the opposite direction of the ones adjoining and beside them.
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Although this design has, for convenience, been termed laddered arrows, it is much harder to define because of the wing-like protuberances on the sides of the arrow shapes. If they are arrows, they are pointing down, while the wings would appear to face upward.
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A series of diamond outer shapes with crosses inside; three along each length side, and one on each end or width side. The colours alternate; a red cross inside a red diamond with white fill, then a black cross inside a black diamond, with white fill.
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Series of arrows in ladders, superimposed by a white line. Each arrow in the series alternates between black and red. Each ladder points in the opposite direction (up and down) of the ones next to it. There are four ladders on each length side, and one on each end or width side. One corner has a series of three diamonds, which may be a signature, since none of the other three corners have this feature. The diamonds dangle from the top edge; the interiors are white, while the outlines alternate red and black.
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Series of winged figures; each figure has red on top and black on bottom; basket has eight rows of three descending figures each; lid has seven figures dispersed around the outer edges, with wings facing opposite direction of basket figures. All rows are evenly positioned around the circumference of the basket.
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Circles or rounded diamonds, checkered red and black
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Bowl has diagonal lines from bottom to top, each consisting of one strip of red, white and black; foot has coils with black beads alternating with plain.
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Outer circle consists of three solid rings: red, then black, then red; inner circle has three rings consisting of the same colours, but these are beaded, not solid; imbrication alternates as one imbrication, one bare, and so on; bottom is plain; black beaded imbrication around outside of rim.
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Thick cross with squares in the middle; cross is quartered, split between black and red, with a small black square in the middle surrounded by a larger white square. each side of the basket has one cross design per side.
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Tray has sets of trees, two per line, with treetops pointing in towards the centre of the tray. Trees alternate in colour between red and white, and black and white. Each tree line faces one of an opposite colour. Four lines of trees run along each length side of the basket, while one line of trees runs along each width side. Each corner of the tray has one tree, not two; plain bottom.
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Small bowl has design similar to succeeding waves, or else a series of head shapes in a marching formation. Waves or heads face left, and are outlined with one top line of solid black, shadowed with one bottom line of solid red; eight stars on the inside bottom, alternating black & red, with white centres.
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Horizontal lines of various colours
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Appears to be of Chilcotin or Lillooet design; a thin bowl with zig-zag motifs woven in; rim has pairs of square designs along it below the edge; colours used are: white and lavender for the rim squares, and combinations of white and aqua, black and pale yellow, and red and green for the zig-zags.
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Basket has three distinct James-style flowers. The top two are joined by tendrils to the bottom one. Each flower has eight petals, or four double petals. Each double petal has one tendril leading from its centremost point, plus each outermost (to the basket) has one tendril leading out from it. The top left flower is red and white, with five tendrils extending from it. Each tendril contains a white spot inside the bud point; all tendrils are red except the bottom tendril furthest left, which is black.
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Birds or thunderbirds or perhaps loons; series of simply wrought yet striking bird designs. Each bird consists of a black outline, with triangular wings, pointed downward; black shoulder line extends outwards from the black head horizontally, then black outline of wings extends downward at a right angle vertically; inner outlines of wings then become red, rising diagonally to meet beneath head under horizontal shoulder line; inner fill of wings is white. There are six sets of birds, one above the other, for a total of twelve birds.
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Tray inside bottom design begins from centre, with a circle of black, outlined with a circle of red; design then radiates outward like a sunburst, as a series of W’s but with curved lines instead of straight lines; inner ray has three outlines that radiate as black, then red, then black. nine points on inside burst, seventeen on outside; outer sunburst is the same, radiating as black, red, and black; inner and outer rims of tray have a series of diamond shapes of red and black; top edge of rim is imbricated in red; plain outside and bottom.
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Tray inside bottom design begins from centre, with a circle of red; seventh and eighth coils from centre are imbricated in alternating spaces. Tray has arrow shapes with flat bases, or very simplified tree shapes with flat bases. Each arrow alternates between black and red, pointing inward towards centre, with a fill of white inside each arrow. There are ten arrows in the inner circle, and ten in the outer circle, all pointing in; inner and outer rim are imbricated with chevron shapes, some of black and white, some of red and white; no imbrication on rim or handles of basket; plain outside.
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Arrows: eight around the top, seven around the middle, eight around the bottom. Design is simple, made of three lines each, with each arrow alternating from black to red; point of heart has one red arrow at its edge, then three sets along each long side, alternating black and red. Each set is one above the other, resulting in five or six arrows per side of the heart.
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Arrowheads pointing outwards, radiating from the centre of trivet; arrows alternate in red and black; six in total.
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Three concentric circles of arrowheads pointing outward from the center of the basket; inner circle is composed of four black arrowheads; a second ring of ten red arrowheads encircle these, and are themselves encircled by a final ring of eighteen black arrowheads; outside perimeter of the tray also has twenty-two arrowheads, alternating red and black.
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Large red zig-zags along top and bottom edges, with four red diamonds circling the middle-section of the basket; two front and back, and one each between the two handles.
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Main design: Referred to as a "Guichon" design due to Teit’s Coiled Basketry of British Columbia and Surrounding Region (1); Guichon is composed of an intricate interlocking geometric design; base is a square standing on its bottom point; overlaid by a square standing on its flat base. Both are overlaid by an interlocking weave design, somewhat similar to the knotted weave on a Celtic Cross; colours are red, white and black. The outer base square is checkered in the way that some of the chevrons on other baskets are made; each corner begins with a black tip and outline, followed with white, and then red. The inner square is made of bands of three colours; the first band is outlined in black, with a centre band of white and an inner band of red. The interlocking weave is composed of four ribbons, each of which has black on the outer edge, white in the middle and red on the inside.
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Series of occasional small stars or crosses; stars composed of alternating colours: either a red centre with black rays or a black centre and red rays; plain inside.
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Very large connecting diamonds, one row of full diamonds above and one of diamond halves below, all around the basket. Diamonds are joined at each point including the top with the bottom. Diamonds are composed of three lines; red in the centre, surrounded on either side by black outlines.
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This very tiny bowl has just six small star designs on it; three in red, three in black. Each star is made of only four imbricated stitches for the rays, with bare, unimbricated centres. The two colours of stars are offset from each other, the black near the bottom and the red near the top; stars are evenly spaced around the circumference of the bowl.
What appears to be two whales is shown on the outside and the inside of the basket; one is green and one is red. Both whales are split apart by a jagged line, almost like a thunderbolt. The line is just blank space; no imbrication. There are two whales on each side of the basket. The lid has a crescent-shaped line around the centre on one side of it, and two star-shapes opposite the crescent.
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Zig-zag design compose of five lines of colour; white on the inside, surrounded on both sides by two lines of red; the red is then surrounded on both sides by two lines of black; lid has a similar zig-zag pattern, but lines are curved instead of straight; pattern follows the outline of the lid.
This is an unusual diamond design. There are four diamonds encircling the centre of the tray, but while one (a black diamond) has a centre composed of a star or cross, the other three diamonds only have half of the design, which indicates that the maker likely forgot which pattern she was following.
Multi-coloured large diamonds of red, black and white; four in number, spaced evenly around bowl; diamonds stretch from top to bottom of bowl; centres are white, surrounded by red, and outwardly by black, with white interspersed between sections of black and red.
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Diagonal double steps; centre of design is diagonal stepped white, surrounded by additional steps of black on top, and steps of red beneath.
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Horizontal necklace design. Each necklace consists of three rows; first set at the top is black in the middle stripe, with one each of red above and below; then it alternates with red in the middle and black outside. There are eight such sets of three from the top to the bottom, continuing around the whole of the basket. Each imbricated stripe is beaded, meaning it alternates from one imbricated stitch, to one plain unimbricated, to the next imbricated in the same colour. The imbrications also alternate with the others in adjoining rows.